Miu Miu’s spring 2025 present at Paris Fashion Week was set in an apocalyptic newspaper manufacturing unit, full with a conveyor belt carrying “The Truthless Times,” a fictional paper by the Polish artist Goshka Macuga. The faux-publication follows two characters, Pathos and Logos, who reside twin lives as undercover researchers in a printing plant. Before the primary mannequin walked the runway, a brief movie by the artist pertaining to the themes of misinformation and manipulation screened.
The opening look? A easy, white cotton set that regarded prefer it may have been pulled from the depths of a trendy vintage retailer. Amid the metal benches and techno soundtrack with cartoonish blips and manufacturing unit noises, fashions stomped out carrying the gathering: layered polos, ’70s prints, floral skirts with buttons, patent trench coats, and tributes to each classic items and the home of Miu Miu by way of the a long time. There have been Nineteen Twenties-esque, wide-cut flapper clothes that have been styled open within the again to show sporty bras; and Edwardian cotton clothes and skirts all in white, coated in Art Deco sequin particulars. These appears to be like have been paired with dual-color windbreakers that regarded straight out of the ’80s, knitted leg heaters, and brightly coloured heels—mixtures native solely to Miuccia Prada’s world.
There was a way of wayward mismatching, or getting wearing a rush (the purposely haphazard styling by Lotta Volkova lent a way of urgency and delightful strangeness to the gathering). That sentiment matched the sensation of Macuga’s work. Backstage, I requested Mrs. Prada how the set up—one of many model’s most immersive lately—associated to the gathering. “We’re both part of the same world,” the designer stated. “They think their own way. I think my own way, but it always works because we are interested.” The present notes spoke to this sense of collaboration, saying the gathering was “a point of embarkation for a sequence of multidisciplinary events examining the brand’s cultural dialogues with groundbreaking women artists and filmmakers.” The designer additionally described Miu Miu Women’s Tales, the brief movie sequence, as a approach to “investigate the experience of vanity, to analyze how women see themselves, through their own gaze.”
What would the tip of vogue month be with out the Miu Miu present? The model persistently units the tempo for the approaching season, earmarking what’ll be the following coveted aesthetic or new It merchandise. With Willem Dafoe, Hilary Swank, and Alexa Chung strolling the runway, the sense of character was alive and properly—the large, bug-eye sun shades; delicate, earth-tone suede matelassé baggage; jackets in shades of mustard yellow and vivid blue that conjure a really particular type of Miu Miu lady. This spring, get able to layer your wardrobe with optimism and conviction.
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